約 6,669,709 件
https://w.atwiki.jp/touhoukashi/pages/2587.html
【登録タグ A-One Odyssey TOHO EUROBEAT VOL.12 U 曲 魔力の雷雲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/vocalive/pages/195.html
このページ名(Name of this Page)→【ライブ技術一覧/ライブ録画技術 Video Recording Technique】 ライブ技術一覧 メニューMENU 1各自で研究開発中の投影ボードとスクリーンの一部 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert 3将来応用可能なライブ関連技術及び研究 Research and Development for Future Mascot and Vocaloid Development マスコットキャラ及びボーカロイドの作成と育成 ギミック Gimmick of Live Concert コンテスト Contest スクリーンに投影可能なテスト素材動画 Videos for Testing メンバー募集案内 Member Request ライブ録画技術 Video Recording Technique 動画作成のコツとMMD [Tips for Making Video & MMD]+MEMO 参考文献 References 各自で研究開発中のKinectと遠隔操作等の一部 Remote Control & Kinect 各自で研究開発中の同期システム Synchronization System 技術関係のMEMO 技術関係のMEMO2 perm 過去のライブの反省会等の一部 過去のライブの反省会等の一部 MEMO 配信と動画up技術 Streaming and Uploading Tech of Video ライブ技術一覧/ライブ録画技術 Video Recording Technique ライブ技術一覧/ライブ録画技術 Video Recording Technique 動画の画像録画の基礎的内容 Fundamental techniques of Video Recording of Vocaloid Live concert 1)カメラは、完全に固定してスクリーンの状態を検出するものと 2)多少ゆっくりと移動可能な、良い映像を撮影するためのカメラを用意した方が良い 3)事前に、録画のためのリハーサルを十二分に行う・ 4) スクリーンの投影モデルにできるだけ近づいて撮影する。 投影モデルからやや距離があると手ぶれが生じやすい。 5)もしも可能な場合、できるだけ口径の大きなレンズを使用する。 つまり、暗い被写体が撮影できるレンズ。 やむを得ず望遠を使用する場合は、必ず三脚を用意する。 6)録画装置を固定する場合、簡易の三脚を用いると便利。安いものは2000-3000円程度からある。 7)デジカメなどの動画録画機能を用いる場合は、撮影された動画ファイルが汎用のファイルに 変換可能か調べておく。 AVCREC他注意 Youtube及びニコニコ動画にアップロード可能なファイルの種類と容量を事前に把握しておくこと。 MP4 or Windows movie Maker File is fine. ニコニコ動画無料アカウント:40MBまで ニコニコ動画有料アカウント:100MBまで 動画の音声録画の基礎的内容 How to record the sound track. 1)携帯電話なども含めて、録音する場合は音量にも注意する 2)もし可能であれば、最良のバランスの音を録音するマイクなどの場所を準備する。 3)例え携帯などの簡易録音であっても、画像録画の場所とは音声録音のベストポジションが異なる可能性があるため 画像録画とは異なる録音準備をしておく方が無難。 音声トラックと画像が別々の場合、 最後に録音された音声トラックと、画像トラックをつなぎ合わせる。 フィルターの有無による撮影画像の変化の様子 http //www.nicovideo.jp/watch/sm23607274 学祭にミクさん呼んでライブしたよー Bad Example あまり良くない例 霧の草原にミクさんを投影してみた【ポリッドスクリーンV2デモ】 http //www.nicovideo.jp/watch/1373617908 カメラがふらふら動いて非常に見にくい。 まぶしすぎる逆光には要注意 Hatsune Miku Live Prima Project 9/19 2011 初音ミク PrimaProject 宝翔祭2011 http //www.youtube.com/watch?v=6ffTd76X0Mc 録音時に、ボーカロイドとバンドの音量のバランスがうまく合って録音できていない例。 ボカロの音量が小さすぎる例 [Nishicon 2013] Fanmade Event UK39 Feat. Hatsune Miku Friends http //www.youtube.com/watch?v=ZLXV7qPNIv8 録音装置の感度が高すぎるか質が悪い例。 音が全部ひずんでいる。 バンドが入る場合は、音量調整が難しい。 World is Mine - Hatsune Miku - UK39 http //www.youtube.com/watch?v=HPkvdDSx8WA 投影モデルからやや距離があるため、カメラでややズームを行っている。 ズームを行っているため、手振れと 腕の揺らぎが発生している。 そのため、投影画像がゆれて非常に見にくい例。 初音ミク誕生祭2013in伊自良湖ステージ http //www.youtube.com/watch?v=epc8nEyvys8 映像撮影のための場所が確保できなかった例。 投影映像が小さすぎるため、よく見えない。 前の人の頭の位置なども注意する必要がある例。 映像撮影のために、事前に良い席を確保しておく必要がある LIVE/日本/ミクパ東京 Hatsune Miku Live Party (Miku-Pa) in Tokyo Japan 2011 http //livedoor.blogimg.jp/otanews/imgs/2/2/22680c8c.jpg Other comments 不透明なブラックスクリーン(通称黒箱) ?。 スクリーンを上部などから覆ったため巨大な箱型スクリーンの様になった。 斜め上から撮影すると顕著になる。 撮影などにも問題が残った。 真正面だけはよく見える場合もあるので、必ず斜め横からも事前に見て、見え方を確認する必要がある。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 http //d3j5vwomefv46c.cloudfront.net/photos/large/254977285.jpg 「RT @yz630 タイムシフトから。ミクパはこういうアングルだと綺麗でよかった」 http //togetter.com/li/109946 動画編集及び加工技術 Video Editing techniques LIVE/日本/ミクの日感謝祭 Hatsune Miku 39's Giving Day in Tokyo Japan 2010 「344 名無しさん@お腹いっぱい。[sage] 投稿日 2011/03/26 01 21 03 ID 3TojKIQq0(12) 正直、ディラッドボードに夢を見すぎつうかあのDVDでミクさん知った奴大杉だろ・・・ コレがみんなが見てる去年のライブのDVDの映像 【ミクの日感謝祭 39 s Giving Day] 恋スルVOC@LOID (feat. 初音ミク) / OSTER Project 】 http //www.youtube.com/watch?v=8zlN8oixW1A コレがNHKのBSでの特集で流れた同じ曲の映像 [ミクの日感謝祭] [HD] 恋スルVOC@LOID http //www.youtube.com/watch?v=RdnnWxTAfzk どんだけDVDで補正入ってるのかみてわかんだろ。 札幌でミクパの前にデモしてた同じディラッドボードでのミクさん http //www.youtube.com/watch?v=ymRJF_x2SGM http //www.youtube.com/watch?v=ND5IHR24soY 透過スクリーンそれでも使えよ!とは思うが、アレはアレで問題あったんだよ・・・ 」 http //desktop2ch.tv/streaming/1300630968/ ライブ終了後の会場音声と投影用動画の音声トラックの合成 Mix the voice of microphone near from live participants and the audio track of projected video. ライブ中は、動画録画用のマイクなどにより会場の音声を録音し ライブ終了後に投影用動画の音声トラックを用いて音声合成を行った例。 音質がよくなり低音などがきれいに入る。 ただし、会場の音声が小さすぎるとライブ感が減るので要注意。 会場の音声もなるべく大きめに録音しておく。 Anime Expoやその他のイベントの中で開催する場合、 後方にマイクを置くと、私語などの雑談をマイクが拾いやすくなるので注意。 Fanmade Vocaloid Show - SkeCon 2014 http //www.youtube.com/watch?v=HMNtOMdC7fc
https://w.atwiki.jp/mainichi-matome/pages/2878.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Just plain disturbing Japan's newest batch of idols on the wrong side of 1010の坂を越えた、気取らない気がかりな日本の最新アイドルたち 拡散状況 関連ページ Just plain disturbing Japan s newest batch of idols on the wrong side of 10 10の坂を越えた、気取らない気がかりな日本の最新アイドルたち 0 Just plain disturbing Japan s newest batch of idols on the wrong side of 10 2006,05,08 Shukan Post 5/19 By Ryann Connell 10の坂を越えた、気取らない気がかりな日本の最新アイドルたち 2006,05,08 週刊ポスト 5/19 ライアン・コネル記 1 Japan is sick. Not satisfied with a booming market in the borderline pedophile Under-15 pin-up princess business, now there s 9-year-old cheesecake going mainstream, according to Shukan Post (5/19). 日本は病気だ。 小児愛のボーダーライン上にあるU-15ピンナップ写真のお姫様商売の、活況を呈する市場に飽き足らず、今、メジャーになろうとしている9歳のかわいらしい女の子がいる。週刊ポスト(5/19)より。 2 Japan s market for pubescent pin-up queens has already proved to be lucrative, with thousands of perverted consumers forking out their hardearned yen for a DVD filled with images of a scantily-clad 11-year-old called Saaya, who is billed as a "kyonyu," or "buxom" idol. 日本の年頃のピンナップ写真の女王の市場が儲かるということは、ほとんど服を着ていない11歳のさあやという娘の画像でいっぱいのDVDに、苦労して稼いだ多額の円を払う幾千の性倒錯の消費者によって、すでに証明されている。さあやは「キョニュウ」つまり「胸が豊かな」アイドルとして宣伝されている。 3 Saaya has also joined forces with California-born 12-year-old Jessica and another 12-year-old called Shizuka Umemoto to form a group called Sweet Kiss, which has Japan s nerdish otaku drooling lecherously at the various signings and "handshake events" they attend, the men s weekly says. さあやはまた、カリフォルニア生まれの12歳・ジェシカともう一人の12歳・梅本静香と協力して「スゥィートキッス」(*1)というグループを形成した。 「スゥィートキッス」には、参加した各種の署名会や「握手イベント」で発情してよだれをたらす、日本の社会性のないオタクがついている、とこの男性週刊誌はいう。 4 Now, however, Japan is stooping even lower with the emergence of 9-year-old Mizuki Yoshii, who has become the face of Japan s vile but burgeoning Under-10 idol business. しかしながら今、日本の不道徳だが急成長しつつあるU-10アイドル界の顔となった9歳の吉井みずきの登場とともに、日本はさらに品位を低く落とし続けている。 5 Born on May 15, 1996, Mizuki still hasn t reached double figures. But her sales figures are already impressive. Her photo collection went on sale in March, with the initial print run set at 6,000 copies. It has already gone into a second printing and topped 10,000 copies, the standard for a best seller in Japan. What s more, hits on her talent agency s website have skyrocketed since the 9-year-old appeared on the scene. 1996年5月15日に生まれたので、みずきは未だに高々10歳にもなっていない。 しかし彼女の売上高はすでに目覚しい。 彼女の写真集は、初版印刷部数6000部で5月に発売された。 すでに第二版がでて、10000部 - 日本におけるベストセラーの基準 - を超えている。 その上、彼女の芸能プロダクションのウェブサイトのアクセス数は、この9歳児が登場して以来、急増している。 6 Mizuki s photo collection is little more than pedophilia. She appears clad in all sorts of garments, the vast majority of them scanty, and the shots cater to the traditional sick tastes of perverts, with the little girl decked out in her school uniform, PE bloomers and swimsuit -- all staples for child cheesecake fans in Japan. みずきの写真集は小児性愛と大差ない。 彼女はあらゆる種類の衣服をまとってあらわれ、それらの圧倒的多数はきわどく、写真は、学校の制服や体育用ブルマ、水着 -- 日本のセクシー少女ファンにとって全て定番 -- に着飾った少女で、性倒錯者の伝統的なおぞましい嗜好を満足させる。 7 "We did the shoot over 3 1/2 days in Okinawa in November last year. She doesn t need any make-up, so the shoot went really smoothly," an insider involved in the production of the photo collection tells Shukan Post. "We weren t trying to make her look sexy. We just wanted to display her in all the cuteness that s associated with somebody her age." 「私たちは、昨年11月沖縄で3日半に渡って撮影をしました。 彼女に化粧をする必要はないので、撮影は本当に順調に行われました」と、写真集の製作に関わった関係者は週刊ポストに語る。 「私たちは彼女をセクシーに見せようとは試みませんでした。 私たちは、彼女と同年齢の子に付き物の、彼女のかわいらしさ全てを打ち出したかっただけです」 8 Nonetheless, Mizuki is made to strike pseudo-erotic poses, such as seductively licking an ice cream, that the men s weekly says are titillating. それにもかかわらず、みずきは擬似エロポーズをとらされている。例えばアイスクリームを誘惑的に舐めていて、それは、この男性週刊誌がいうには、刺激的である。 9 And unfortunately, it seems the Under-10 market is viewed as something of potentially stable one. そして不幸なことに、U-10市場は、もしかすると幾分か持続的な大したものだと見なされている。 10 "At the moment, Japan s pin-up market is polarized, with Aki Hoshino, at 28, representing the oldest segment of the market and the Under-15s at the other end," Masahiro Kitagawa, a self-professed "idol spotter," tells Shukan Post. "The weakening of Japanese men means guys now place a lot of importance on imagining they have control over the opposite sex, which has sparked the emergence of the Under-15 market. The way they ve got the girls changing costumes all the time is supposed to be a way to satisfy guys various fantasies. The polarization of the market is likely to continue, but I don t think it will go any lower than the Under-10s." (By Ryann Connell) 「現時点において、日本のピンナップ写真市場は分極化していて、一方は市場の最年長の部分を代表する28歳のほしのあきで、もう一方はU-15です」と、自称「アイドル監視人」の北川昌弘は週刊ポストに語る。 「日本人男性の弱体化は、今男たちは自分が異性を支配していると想像することにかなりの重きを置いている、ということを意味し、このことがU-15市場の出現の火付け役となりました。 ひっきりなしに少女に服装を変えさせる構成は、男たちの多様な空想を満足させる構成だと思われますが、これがU-10よりも下がることはないだろうと思います。」(ライアン・コネル記) 拡散状況 Barely 18 Movies http //www.barely18movies.com/blog/?p=233 Japundit http //blog.japundit.com/archives/2006/05/08/2439/ 英語サイト 部分転載:http //beconfused.com/2006/05/10/younger-saaya/ http //www.bigdaikon.org/board/viewtopic.php?f=1 t=70181 http //www.igoo.com/forums/showthread.php?t=43233 http //www.outpostnine.com/forum/showpost.php?p=198981 http //www.sexyellowpress.com/journal/node/1129 http //www.xanga.com/kiki_kana/483331972/item.html 部分転載:http //www.zgeek.com/forum/showthread.php?t=56492 海外ブログ http //yeixquich.livejournal.com/12355.html 関連ページ Barely 18 Movies Japundit WaiWaiの記事を転載した英語サイト:B WaiWaiの記事を転載した英語サイト:I WaiWaiの記事を転載した英語サイト:O WaiWaiの記事を転載した英語サイト:S WaiWaiの記事を転載した英語サイト:X WaiWaiの記事を転載した英語サイト:Z シーファーが日本を児童ポルノ大国呼ばわりした原因 毎日新聞英語版から配信された記事2006年 海外ブログに記事が及ぼした影響
https://w.atwiki.jp/touhoukashi/pages/4078.html
【登録タグ B Black Mirror on the Wall Stack 夢と現の境界 暁Records 曲 神様Stories-INNOCENT- -to the beginning 06- 科学世紀の少年少女】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/marketresearch/pages/16.html
Research Analysis The market research report profiles well-balanced information with previous as well as future results with an aim to offer a better understanding of the Roof Deck Protection Market. The market report further offers an in-depth view of the leading factors that are related to increasing the demand growth for Roof Deck Protection Market. Not only this but also in this study the readers can get an in-depth report of the possibilities in combination with the latest trends in the targeted market. It is also a detailed combination of 10 years old qualitative and quantitative analysis of the industry that has been presented in the report with an aim to help the market players to increase maximum profit in the sector. The market research report also provides information on the record of individual sales records that are made with the expected revenue over the forecast period. This research report provides an extensive examination of all the related segments present in the industry. Moreover, it throws light on the recent development as well as the opportunity is that is going on in the Roof Deck Protection Market. Get a Sample PDF File@ https //www.quincemarketinsights.com/request-sample-88265?pu Market Report Features Overview Of The Market Report The market research report offers a detailed quantitative as well as qualitative overview of the market for Roof Deck Protection Market on the basis of area, category, product, competitors, and application. In terms of expanded coverage, the market report is further extended in terms of end-user market analysis and the comprehensive producer profile. Market Segmentation Of Roof Deck Protection Market Market The market segmentation of the Roof Deck Protection Market is done on the basis of technology, product type, application, distribution channel, and end-user. Geographical segmentation is also being done to get valuable insights into the Roof Deck Protection Market. Geographical Analysis Doing the geographical analysis is very important to know about the broad feature of the market. In this section, the readers can get a comprehensive analysis of the Roof Deck Protection Market based on the geographical location. This section throws light on the demand and sales output for the Roof Deck Protection Market at the national and international levels. The study is being done taking into account some of the major geographic regions such as North America, Europe, Asia Pacific, South America, Middle East, and Africa. Make an Enquiry for purchasing this Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-88265?pu Market Key Highlights The market report on the Roof Deck Protection Market is a summary of the current market situation for the Roof Deck Protection Market. Moreover, the analysis provides information regarding the newly launched product and also the products that are to be launched during the forecast period. The study also includes minute details regarding market share, segment, trends, growth and forecast Roofing Nation, Zilla Roofing, Dior Construction, Core Exteriors, Seven Trust Industry, Greg WC Sheets&Associates, Fidus, RemodelRx, Hobson&Scott, Coastal Home Roofing, Platte River Roofing Company,. Company overview. Quince Market Insights Top Trending Research Report* https //qmi189135117.wordpress.com/2022/09/16/cumene-sulfonic-acid-market-size-industry-growth-rate-global-share-upcoming-trends-leading-players-products-and-services-overview-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/3-hexenyl-salicylate-market-key-findings-growth-prospects-and-size-by-country-top-manufacturer-expansion-plans-and-business-strategy-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/ethylene-glycol-monostearate-market-trends-growth-size-swot-analysis-opportunity-assessment-by-forecast-to-2021-drivers-and-applications-are-pertinent-for-sustenance-during-the-forecast-period-20/ Details Contained In The Roof Deck Protection Market Report 2021 Market Overview 1.1 Market Introduction 1.2 Market Analysis By Type 1.2.1 Type 1 1.2.2 Type 2 1.3 Market Analysis By Applications 1.3.1 Application 1 1.3.2 Application 2 1.4 Market Analysis by Regions 1.4.1 North America 1.4.2 Europe 1.4.3 Asia Pacific 1.4.4 South America 1.4.5 the Middle East and Africa Market Scope Market Segmentation by type, application, end-users and regions Market Size estimation Market Competition Key Market Leaders Conclusions The market research report offers a detailed study of the Roof Deck Protection Market which include market shares, size and growth opportunities by applications, product types and geographic regions. Not only this but also the report also contains a detailed summary of the leading market players. The experts have also mentioned the market growth, threats, opportunities and risks. About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone +1 208 405 2835 Email sales@quincemarketinsights.com Website https //www.quincemarketinsights.com/
https://w.atwiki.jp/elvis/pages/4179.html
Children in the House The Material Culture of Early Childhood, 1600-1900 Northeastern Univ Pr? Karin Calvert? NortheasternUnivPr? KarinCalvert? ユーズドブック(洋書)-Teens? Substores-UnknownASINs-35 Subjects-History? Subjects-Nonfiction-SocialSciences-Sociology-Marriage&Family? Subjects-Nonfiction-SocialSciences-Sociology-Children? Subjects-Nonfiction-SocialSciences-Sociology-SocialGroups? Subjects-Teens-SocialIssues-General? The American Tory Northeastern Univ Pr? William H. Nelson? NortheasternUnivPr? WilliamH.Nelson? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-General? Subjects-History-Americas-UnitedStates-Revolution&Founding-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment? Subjects-Nonfiction-SocialSciences-PoliticalScience-UnitedStates-PoliticalHistory? Congregational Communion Clerical Friendship in the Anglo-American Puritan Community, 1610-1692 (New England Studies) Northeastern Univ Pr? Francis J. Bremer? NortheasternUnivPr? FrancisJ.Bremer? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-General? Subjects-Religion&Spirituality-Christianity-ChurchHistory-Protestant? Subjects-Religion&Spirituality-Christianity-Clergy-General? Subjects-Religion&Spirituality-Christianity-Clergy-Ministry? Subjects-Religion&Spirituality-Christianity-Protestantism-General? Subjects-Religion&Spirituality-Christianity-Protestantism-Presbyterian? Children in the House The Material Culture of Early Childhood, 1600-1900 Northeastern Univ Pr? Karin Calvert? NortheasternUnivPr? KarinCalvert? Substores-UnknownASINs-35 Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Nonfiction-SocialSciences-Sociology-Children? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Subjects-Science-Archaeology-General? European Migrants Global and Local Perspectives Northeastern Univ Pr? Dirk Hoerder? Leslie Page Moch? NortheasternUnivPr? DirkHoerder? LesliePageMoch? Substores-UnknownASINs-35 Subjects-History? Subjects-Law-AdministrativeLaw-Emigration&Immigration? Subjects-Nonfiction-Politics-Freedom&Security-CivilRights? Subjects-Nonfiction-SocialSciences-Emigration&Immigration? Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Nonfiction-SocialSciences-SpecialGroups-General? Subjects-Nonfiction-CurrentEvents-International? Subjects-Nonfiction-Law-AdministrativeLaw-Emigration&Immigration? African Americans in the Industrial Age A Documentary History, 1915-1945 Northeastern Univ Pr? Joe William Trotter? Earl Lewis? NortheasternUnivPr? JoeWilliamTrotter? EarlLewis? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-History-Americas-UnitedStates-AfricanAmericans-History? Subjects-History-Americas-UnitedStates-AfricanAmericans-AfricanAmericanStudies? Subjects-History-Americas-UnitedStates-General? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-SocialSciences-Demography? Subjects-Nonfiction-SocialSciences-SpecialGroups-African-AmericanStudies? The Rhine As Musical Metaphor Cultural Identity in German Romantic Music Northeastern Univ Pr? Cecelia Hopkins Porter? NortheasternUnivPr? CeceliaHopkinsPorter? Substores-UnknownASINs-35 Subjects-Entertainment-Music-General? Subjects-Entertainment-Music-History&Criticism? Subjects-Entertainment-Music-MusicalGenres-Ethnic&International-Ethnomusicology? Subjects-Entertainment-Music-Theory,Composition&Performance-Theory? Subjects-History-Europe-Germany-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Dynasty's End Bill Russell and the 1968-69 World Champion Boston Celtics (The Sportstown Series) Northeastern Univ Pr? Thomas J. Whalen? NortheasternUnivPr? ThomasJ.Whalen? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-Sports&Outdoors? Subjects-Sports-Basketball-General? Subjects-Sports-Basketball-Professional? Subjects-Sports-Miscellaneous-HistoryofSports? Subjects-Sports-Biographies? Subjects-Sports-General? Platitudes "the New Black Aesthetic" The New Black Aesthetic (The Northeastern Library of Black Literature) Northeastern Univ Pr? Trey Ellis? NortheasternUnivPr? TreyEllis? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Comic? Subjects-Literature&Fiction-General-Contemporary? Gun Violence in America The Struggle for Control Northeastern Univ Pr? Alexander Deconde? NortheasternUnivPr? AlexanderDeconde? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-General? Subjects-Law-CriminalLaw-LawEnforcement? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-ViolenceinSociety? Subjects-Nonfiction-Crime&Criminals-General? Subjects-Professional&Technical-Law-CriminalLaw-LawEnforcement? Puritan Family Life The Diary of Samuel Sewall Northeastern Univ Pr? Judith S. Graham? NortheasternUnivPr? JudithS.Graham? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-Historical-UnitedStates-General? Subjects-History-Americas-UnitedStates-ColonialPeriod-General? Subjects-History-Americas-UnitedStates-General? Subjects-History-Americas-UnitedStates-State&Local-Massachusetts? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Literature&Fiction-Essays-General? Drama Contemporary Latin America Paj Pubn? George Woodyard? PajPubn? GeorgeWoodyard? Substores-UnknownASINs-35 Subjects-History-Europe-Spain? Subjects-Literature&Fiction-Drama-General? Subjects-Literature&Fiction-WorldLiterature-LatinAmerican? Subjects-Medicine-SpecialTopics-History? Subjects-Science-History&Philosophy-HistoryofMedicine? Subjects-Arts&Photography-PerformingArts-General? The Pious Dance The Adventure Story of a Young Man Olympic Marketing Corp? Klaus Mann? OlympicMarketingCorp? KlausMann? Substores-UnknownASINs-35 Subjects-Literature&Fiction-ForeignLanguageFiction-German? Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-German? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Arts&Photography-PerformingArts-General? The Maldive Chronicles (Paj Fiction Contemporary Series) Olympic Marketing Corp? Kenneth Bernard? OlympicMarketingCorp? KennethBernard? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? Subjects-Arts&Photography-PerformingArts-General? Queer and Alone (Paj Fiction Contemporary Series) Olympic Marketing Corp? James Strahs? OlympicMarketingCorp? JamesStrahs? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? Subjects-Arts&Photography-PerformingArts-General? Out of Sync (Paj Fiction Contemporary Series) Paj Pubn? Richard Lees? PajPubn? RichardLees? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Arts&Photography-PerformingArts-General? Madonna and Other Spectacles Paj Pubn? Harold Jaffe? PajPubn? HaroldJaffe? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-ShortStories-UnitedStates? Subjects-Arts&Photography-PerformingArts-General? The Whore of Tjampuan Paj Pubn? Harry Kondoleon? PajPubn? HarryKondoleon? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? Subjects-Arts&Photography-PerformingArts-General? The Plant Hunters Being an Examination of Collecting With an Account of the Careers and the Methods of a Number of Those Who Have Searched the World Paj Pubn? Tyler Whittle? PajPubn? TylerWhittle? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Outdoors&Nature-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-BiologicalSciences-Botany-General? Subjects-Arts&Photography-PerformingArts-General? Bad Guy Paj Pubn? Rosalyn Drexler? PajPubn? RosalynDrexler? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Arts&Photography-PerformingArts-General? Cabaret Performance Europe 1890-1920 Sketches, Songs, Monologues, Memoirs Paj Pubn? Laurence Senelick? PajPubn? LaurenceSenelick? Substores-UnknownASINs-35 Subjects-Arts&Photography-PerformingArts-General? Dramacontemporary Hungary Plays by Andras Suto, Geza Paskandi, Istvan Csurka, Gyorgy Spiro, Mihaly Kornis Paj Pubn? Andras Suto? Eugene Brogyanyi? PajPubn? AndrasSuto? EugeneBrogyanyi? Substores-UnknownASINs-35 Subjects-Arts&Photography-PerformingArts-Theater-General? Subjects-Arts&Photography-PerformingArts-General? Subjects-Entertainment-PerformingArts-Theater-General? Subjects-Literature&Fiction-Drama-General? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Literature&Fiction-History&Criticism-UnitedStates-LiteraryTheory? Subjects-Literature&Fiction-WorldLiterature-General? Subjects-Medicine-SpecialTopics-History? Subjects-Science-History&Philosophy-HistoryofMedicine? Booker t Washington Biographies from American History Fearon/Janus/Quercus? Fearon/Janus/Quercus? ユーズドブック(洋書)-Teens? Substores-UnknownASINs-35 Subjects-Teens? An Annotated Catalog of the Pyrenomycetes Described by Charles H. Peck (Bulletin No. 459) New York State Museum? Margaret E. Barr? Charles H. Peck? NewYorkStateMuseum? MargaretE.Barr? CharlesH.Peck? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Flora-General? Subjects-Science-Nature&Ecology-Plants-General? Subjects-Science-BiologicalSciences-Botany-General? Asa Fitch and the Emergence of American Entomology (Bulletin Ser . No. 461) New York State Museum? Jeffery K. Barnes? NewYorkStateMuseum? JefferyK.Barnes? Substores-UnknownASINs-35 Subjects-Science-General Geology of New York A Simplified Account (Educational Leaflet (New York State Museum), No. 28.) New York State Museum? Yngvar W. Isachsen? NewYorkStateMuseum? YngvarW.Isachsen? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-State&Local-NewYork? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-SpecificLocations? Evolution and Ecology of Unisexual Vertebrates New York State Museum? Robert M. Dawley? James P. Bogart? NewYorkStateMuseum? RobertM.Dawley? JamesP.Bogart? Substores-UnknownASINs-35 Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Science-BiologicalSciences-Biology-General? War over Walloomscoick Land Use and Settlement Pattern on the Bennington Battlefield - 1777 (Bulletin (New York State Museum 1976), No. 473.) New York State Museum? Philip L. Lord? NewYorkStateMuseum? PhilipL.Lord? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-General? Ecosystem Management Rare Species and Significant Habitats (Bulletin (New York State Museum 1976), No. 471.) New York State Museum? Natural Areas Conference 1988 State University of New York College of? Richard S. Mitchell? Charles J. Sheviak? Donald Joseph Leopold? NewYorkStateMuseum? NaturalAreasConference1988StateUniversityofNewYorkCollegeof? RichardS.Mitchell? CharlesJ.Sheviak? DonaldJosephLeopold? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-BiologicalSciences-Biology-General? Guide to the Identification of Scales of the Inland Fishes of Northeastern North America New York State Museum? Robert A. Daniels? NewYorkStateMuseum? RobertA.Daniels? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Fauna-Fish&Sharks? Subjects-Outdoors&Nature-FieldGuides-Fish? Subjects-Outdoors&Nature-FieldGuides-Regional-Canada? Subjects-Outdoors&Nature-FieldGuides-Regional-UnitedStates-Northeast? Subjects-Science-Nature&Ecology-Animals-Fish&Sharks? Subjects-Science-Nature&Ecology-FieldGuides-Fish? Subjects-Science-Nature&Ecology-FieldGuides-Regional-Canada? Subjects-Science-Nature&Ecology-FieldGuides-Regional-UnitedStates-Northeast? Subjects-Science-BiologicalSciences-Zoology-Ichthyology? Revised Checklist of New York State Plants (Bulletin Series No. 458) New York State Museum? Richard Sheppard Mitchell? Gordon C. Tucker? NewYorkStateMuseum? RichardSheppardMitchell? GordonC.Tucker? Substores-UnknownASINs-35 Subjects-Science-BiologicalSciences-Botany-General? Silurian Cycles Linkages of Dynamic Strarigraphy With Atmospheric, Oceanic and Tectonic Changes James Hall Centennial Volume New York State Museum? Ed Landing? Markes E. Johnson? NewYorkStateMuseum? EdLanding? MarkesE.Johnson? Substores-UnknownASINs-35 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Biological Diversity The Oldest Human Heritage (Educational Leaflet (New York State Museum), No. 34.) New York State Museum? Edward O. Wilson? NewYorkStateMuseum? EdwardO.Wilson? Substores-UnknownASINs-35 Subjects-Science-General Geology of New Yorkw/Geological Highway Map A Simplified Account (Educ Leaflet 28) New York State Museum? Isachasen? NewYorkStateMuseum? Isachasen? undefined undefined Vax Hardware Handbook Set, 1986 Digital Pr? DigitalPr? Substores-UnknownASINs-35 Subjects-Computers&Internet-Hardware-SystemArchitecture-DigitalDesign? Subjects-Computers&Internet-Hardware-General? Software Productivity Tools Digital Pr (E)? DigitalPr(E)? undefined undefined Vax/Vms Internals and Data Structures Version 4.4 Digital Pr (E)? Lawrence J. Kenah? Ruth E. Goldenberg? Simon F. Bate? DigitalPr(E)? LawrenceJ.Kenah? RuthE.Goldenberg? SimonF.Bate? Substores-UnknownASINs-35 Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-OperatingSystems-General? X Window System Digital Press? Robert Schiefler? DigitalPress? RobertSchiefler? Substores-UnknownASINs-35 Subjects-Computers&Internet-Programming-General? Computer Programming and Architecture The Vax Digital Pr? Henry M. Levy? Richard H. Eckhouse? DigitalPr? HenryM.Levy? RichardH.Eckhouse? Substores-UnknownASINs-35 Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-Hardware-Mainframes? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-Hardware-SystemArchitecture-General? Information Technology Standardization Digital Press? Carl F. Cargill? DigitalPress? CarlF.Cargill? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Vax/Vms Writing Real Programs in Dcl (Digital Press Vax Users Series) Digital Pr? Paul C. Anagnostopoulos? DigitalPr? PaulC.Anagnostopoulos? Substores-UnknownASINs-35 Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Programming-Languages&Tools-General? Subjects-Computers&Internet-Hardware-Mainframes? Subjects-Computers&Internet-OperatingSystems-General? X Window System Digital Press? Robert W. Scheifler? James Gettys? DigitalPress? RobertW.Scheifler? JamesGettys? Substores-UnknownASINs-35 Subjects-Computers&Internet-Programming-General? Digital Guide to Developing International Software Digital Pr? Cynthia Hartman Kennelly? DigitalPr? CynthiaHartmanKennelly? Substores-UnknownASINs-35 Subjects-Computers&Internet-Software? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Hardware-Mainframes? Subjects-Computers&Internet-Hardware-SystemArchitecture-DigitalDesign? Subjects-Computers&Internet-General? A Beginner's Guide to Vax/Vms Utilities and Applications (VAX Users) Digital Pr? Ronald M. Sawey? Troy T. Stokes? DigitalPr? RonaldM.Sawey? TroyT.Stokes? Substores-UnknownASINs-35 Subjects-Computers&Internet-Software-Business-Utilities? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Hardware-Mainframes? Subjects-Computers&Internet-OperatingSystems-General? Decnet Phase V An Osi Implementation Digital Pr? James Martin? Joe Leben? DigitalPr? JamesMartin? JoeLeben? Substores-UnknownASINs-35 Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-General? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Logistical Excellence It's Not Business As Usual Digital Pr? Donald J. Bowersox? Patricia Daugherty? DigitalPr? DonaldJ.Bowersox? PatriciaDaugherty? Substores-UnknownASINs-35 Subjects-Business&Investing-BusinessLife-OrganizationalBehavior? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-General Subjects-Science-Technology-General&Reference Bitnet for Vms Users Digital Pr? Michael A. Moore? Ronald M. Sawey? DigitalPr? MichaelA.Moore? RonaldM.Sawey? Substores-UnknownASINs-35 Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-Hardware-Mainframes? Subjects-Computers&Internet-OperatingSystems-General? Subjects-Computers&Internet-General? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Alpha Architecture Reference Manual (Alpha Vms Series) Digital Equipment Corp? Richard L. Sites? DigitalEquipmentCorp? RichardL.Sites? Substores-UnknownASINs-35 Subjects-Arts&Photography-Architecture-General? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-ComputerScience-SystemsAnalysis&Design? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-General? Subjects-Professional&Technical-Architecture-General? All-In-One Managing and Programming in Version 3.0 Digital Pr? Tony Redmond? DigitalPr? TonyRedmond? Substores-UnknownASINs-35 Subjects-Business&Investing-General? Subjects-Computers&Internet-Software-Business-Utilities? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Hardware-PCs? Subjects-Computers&Internet-Hardware-Mainframes? Subjects-Computers&Internet-General? Vaxcluster Principles (Alpha-VAX-VMS) Digital Pr (E)? Roy G. Davis? DigitalPr(E)? RoyG.Davis? Substores-UnknownASINs-35 Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-OperatingSystems-General? Subjects-Computers&Internet-General? Subjects-Science-Mathematics-General? Substores-UnknownASINs-35 洋書
https://w.atwiki.jp/thecockrockshockpop/pages/772.html
http //slash.ultimate-guitar.com/ member VELVET REVOLVER, ex-GUNS N ROSES Slash Slash - Bonus Tracks Sahara DVDMTV World Stage Slash Biffy Clyrd ( 2014.11 ) LiveLive In Manchester July 2010 Live @ HMV Picture House, Edinburgh, Scotland July 1st 2010 VELVET REVOLVER / Contraband ( 2004年5月12日 ) Slash 2010年4月6日 ( HD ) 1. Ghost [ feat. Ian Astbury ] / 2. Crucify The Dead [ feat. Ozzy Osbourne ] / 3. Beautiful Dangerous [ feat. Fergie ] / 4. Back From Cali [ feat. Myles Kennedy ] / 5. Promise [ feat. Chris Cornell ] / 6. By The Sword [ feat. Andrew Stockdale ] / 7. Gotten [ feat. Adam Levine ] / 8. Doctor Alibi [ feat. Lemmy Kilmeister ] / 9. Watch This [ feat. Dave Grohl Duff McKagan ] / 10. I Hold On [ feat. Kid Rock ] / 11. Nothing To Say [ feat. M Shadows ] / 12. Starlight [ feat. Myles Kennedy ] / 13. Saint Is A Sinner Too [ feat. Rocco DeLuca ] / 14. We re All Gonna Die [ feat. Iggy Pop ] Slash - Bonus Tracks 1. Sahara [ feat. 稲葉浩志 ] / 2. Baby Can t Drive [ feat. Alice Cooper Nicole Scherzinger ] / 3. Paradise City [ feat. Fergie and Cypress Hill ] / 4. Chains And Shackles [ feat. Nicole Scherzinger ] / 5. Mother Maria Deluxe Edition Bonus CD 1. Sahara [ english ver. / feat. 稲葉浩志 ] / 2. Paradise City [ feat. Fergie Cypress Hill ] / 3. Mother Maria [ feat. Beth Hart ] / 4. Baby Can t Drive [ feat. Alice Cooper Nicole Scherzinger ] / 5. Sahara [ japanese ver. / feat. 稲葉浩志 ] / 6. Beautiful Dangerous [ radio mix / feat. Fergie ] / 7. Demo #4 / 8. Demo #16 / 9. Back From Cali [ acoustic ver. / feat. Myles Kennedy ] / 10. Fall To Pieces [ acoustic ver. / feat. Myles Kennedy ] / 11. Sweet Child O Mine [ acoustic ver. / feat. Myles Kennedy ] / 12. Watch This [ live / feat. Myles Kennedy ] / 13. Nightrain [ live / feat. Myles Kennedy ] Sahara 2009年11月11日 ( m01 ) 1. Sahara [ featuring 稲葉浩志 ] 2. Paradise City [ featuring Fergie and Cypress Hill ] DVD MTV World Stage Slash Biffy Clyrd ( 2014.11 ) Live @ The O Academy, Glasgow, Scotland November 2014 Live Live In Manchester July 2010 1. Ghost / 2. Mean Bone / 3. Nightrain / 4. Dirty Little Thing / 5. Back From Cali / 6. Beggars Hangers-On / 7. Civil War / 8. Rocket Queen / 9. Fall To Pieces / 10. Sucker Train Blues / 11. Nothing To Say / 12. Starlight / 13. Watch This / 14. Guitar Solo ~ The Godfather / 15. Sweet Child O Mine / 16. Rise Today / 17. Slither / 18. Communication Breakdown / 19. Paradise City Live @ HMV Picture House, Edinburgh, Scotland July 1st 2010 1. Ghost / 2. Mean Bone [ cover of SLASH S SNAKEPIT ] / 3. Nightrain [ cover of GUNS N ROSES ] / 4. Dirty Little Thing [ cover of VELVET REVOLVER ] / 5. Back From Cali / 6. Beggars Hangers On [ cover of SLASH S SNAKEPIT ] / 7. Civil War [ cover of GUNS N ROSES ] / 8. Rocket Queen [ cover of GUNS N ROSES ] / 9. Fall To Pieces [ cover of VELVET REVOLVER ] / 10. Sucker Train Blues [ cover of VELVET REVOLVER ] / 11. Nothing To Say / 12. Starlight / 13. Watch This / 14. Guitar Solo ~ Blues Jam / 15. The Godfather Theme / 16. Sweet Child O Mine [ cover of GUNS N ROSES ] / 17. Slither [ cover of VELVET REVOLVER ] / 18. Are You Ready? [ cover of THIN LIZZY ] / 19. Paradise City [ cover of GUNS N ROSES ]
https://w.atwiki.jp/warband/pages/454.html
ip_Building_a_Village|Building a Village ip_Building_a_Village_text|Once you have over a hundred men in your army you can build a village from the camp menu. ^^ This is the dark ages, and new villages and settlements rose and fell regularly.^ Using your troops to found a village will remove them from your party, its suggested you leave your best troops at a camp quarters and raise low teir troops that can used for the village founding. ^^ If you are not yet part of a kingdom, founding a village will also found a new kingdom under your rule. ^ Your court will be established at the village and can be lost if raided. ^^Villages can also be upgraded into towns. ip_armies_size|Army Size ip_armies_size_text|The size of your army, similar to the armies of the lords, depends on several factors ^^Leadership each point will increase the maximum size of your army by 5. Companions with Leadership help lead the party.^^Charisma each point of your charisma will increase the maximum size of your army by 1. It is your ability to attract men to your cause.^^Renown every 9 points will increase the maximum size of your army by 1. Fame attracts followers.^^Holdings every town will add 80 men and each fort 40 to the maximum size of your army. These spots represent men you can raise through a levy.^^Bear in mind that party size at sea is restricted by ship capacity. Extra troops can always be left at a settlement garrison, player Refuge (once built), or any Camp Quarters. ip_morale|Morale ip_morale_text|Morale represents the ability and willingness of the troops in a party to summon up the endurance, bravery, and discipline they need to face the stresses of battle and the march. It is not the same thing as the troops' happiness. Elite troops may grumble and whine about the hardships of campaigning -- but then stand together as one when the arrows start to fly. On the other hand, a commander who gives his men everything they want may find that they grow soft, and waiver before the enemy's charge.^^ Morale's greatest impact is on a party's behavior in battle, determining how aggressively troops engage the enemy, and how likely they are to break and run if they perceive the tide of battle turning against them. Morale also affects a party's march speed, as a less motivated party will move more slowly, as the men are not pushing themselves to their physical limit, and pause more frequently, as it waits for stragglers to catch up. Finally, a party with very low morale will start to suffer desertions.^^ Some factors that affect morale are intuitive. For example, a charismatic commander with a reputation for winning battles can infuse his or her men with a sense of confidence. Leaders who give their men well ample and varied supplies of food, and pay them on time, demonstrate that they care about their troops' welfare, and are less likely to lead them into disaster.^^ Other factors are less intuitive -- particularly those related to a party's sense of group cohesion. In a small tight-knit party, for example, men will often fight hard against daunting odds to avoid showing cowardice before their comrades-in-arms. A large party on the other hand may see its cohesion strained, as the commander has less time to supervise the men, listen to their grievances, and resolve their disputes. Frequent battles will strengthen the bonds between men, while long periods without combat will see the troops become bored and quarrelsome.^^ The morale report, accessibly by hitting the 'reports' button will give the player a sense of the factors affecting his or her men's morale. ip_economy|Economy ip_economy_text|Towns and villages in these lands need a wide variety of goods for their populations to remain healthy and productive. First in importance is food. Grain is the staple crop of the Isles, but people also need fat and protein in the form of meat, fish, or cheese. It takes almost as much work to preserve meat as to produce it in the first place, so salt is also in high demand. After food comes clothing heavy wool, lighter linens, or luxurious velvet. Finally, people need the tools of their trade ironware, pottery, leatherware, and, of course, arms, armor, and horses for war.^^Most agricultural products are produced in the villages, while artisans in the towns specialize in manufactured or artisanal goods like fabrics or ironware. Also, different resources can be found in different parts of the country. Consequently, the key to prosperity in Calradia is trade -- both between the villages and the towns, and between the major towns themselves.^^When trade flows, goods will be available and affordable, the population of a center will be healthy and energetic, and migrants will flock from the nearby regions. The center will produce more, consume more, and be able to contribute more in taxes to their lords. When trade dries up, towns and villages will see their workers flee to seek work elsewhere, and economic activity will drift to a stand-still. Thus, it is in the interests of rulers to protect trade routes from the hazards of war and banditry. A smart merchant, however, may want to seek out towns which have become isolated from the rest of the land, as he or she may be able to turn a tidy profit from the resulting price imbalances.^^Because villagers usually plan to take their goods to market in towns, village markets will be rather quiet places, and villagers will buy cheap and sell dear. Serious merchants will stick to the towns to make a profit, although some parties may decide to make a quick stop in a village to acquire supplies.^^A player who wants to know about the factors affecting a region's prosperity can speak to the guildmaster of the local town. Other information can be gleaned from passers-by, although they might not know very much outside of their own particular trade. ip_courtship|Courtship ip_courtship_text|Players may wish to marry into one of these lands noble families. Marriage is not necessary for a player to rise in power and stature, but it does provide players with an opportunity to improve their relation with lords and establish a claim to the throne.^^Marriage requirements will be different for males and females. A male character will usually need to pursue a traditional path of courtship. He should establish a reputation in the Isles aristocratic society, get on good terms with his bride's parents or guardians, and then woo the lady according to local custom. If a player grows impatient, he may attempt to take a shortcut -- but there will be consequences in his relations with other lords.^^A male character should keep in mind that other lords will be competing with him for the affections of the kingdom's ladies. Also, a lady's tastes are unpredictable, and a player may also find that the object of his love does not love him in return. Romance, in Calradia as elsewhere, does not always prosper. Of course, a player may resort to other, less gentlemanly means of winning a lady's heart, but again, that will have a serious impact on his reputation.^^To get started on the path of courtship, a male player should try to get involved in the social life of the Isles aristocracy, attending feasts and tournaments. Also, wandering troubadours and poets can serve as a useful repository of information on courtship, and keep the player up to date about the latest gossip.^^Female characters can also marry -- but they should keep in mind that society is very traditional, and, as adventurers, they have chosen a very unconventional path for a woman. A female character may have to look for a while to find a lord who is open-minded enough to marry her.^^On the bright side, a female character does not have to go through the elaborate rituals of courtship, and she also may gain more from a marriage than her male counterpart. For a woman adventurer, marriage can be a quick path to power -- and an unscrupulous character may be able to use her husband as a tool of her political ambitions. ip_politics|Politics ip_politics_text|The realms of the Isles, although they represent different cultures, all adhere to the same basic political system feudalism. Feudalism is based on the relationships between individuals the oaths of loyalty given by a vassal to his or her liege. In exchange for this oath, the vassal will usually receive a fief, a parcel of land whose income will be used by the vassal to raise troops to support the liege in time of war. A liege also has an obligation to protect his vassals, and to treat them justly.^^This is how it works in theory, anyway. In practice, vassals will not always work in their factions' interests, particular as they are often quarreling with one another. Nobles have different personalities, and sometimes those personalities clash. Or, perhaps two nobles were once friends, but fell out over in the aftermath of a setback or a defeat -- or because they both were wooing the same lady. Jealousies will also surface as they vie for the favor of the king -- perhaps over newly conquered lands, or over who will be given the coveted office of marshal, the lord in charge of organizing large-scale campaigns.^^When one realm in the Isles makes war on another, the political unity of the each kingdom is as important as the quality or number of its soldiers in determining the outcome. In a cohesive kingdom, nobles will join together in a large force to sweep their opponents before them. In a kingdom divided by petty quarrels, lords will fail to respond to the marshal's summons, or drift away to attend to their own business if a campaign is not going well. A faction's political cohesion will also impact warfare when campaigns are not in progress. In a divided faction, lords will be less likely to join together on raids and patrols, and come to each other's defense.^^If it seems self-defeating for nobles to bicker and quarrel when the enemy is just over the horizon, keep this in mind -- ultimately, a noble's loyalty goes not to a particular faction or culture, but to himself and to his family. If a noble fears that his faction is collapsing, or if he is being neglected by his liege, he can usually find a reason to withdraw his oath of allegiance, and change sides. Players should keep this in mind, as they may find that there are opportunities to turn discontented former enemies into allies. ip_character_backgrounds|Character Backgrounds ip_character_backgrounds_text|A player character in these lands may choose to come from a variety of social backgrounds. This choice will affect not just his or her starting skills and equipment, but also the course of his or her career as an adventurer.^^War and politics in these lands are traditionally dominated by male aristocrats. A nobleman player character may find that he is invited into this 'old boys' club' fairly quickly, but women and commoners may face a few extra hurdles on the way. If you choose to start the game as a male nobleman, you can think of it as the 'easy' setting. Starting as a noblewoman or a male commoner is somewhat more difficult, and starting as a female commoner is probably the most challenging way to begin a game.^^However, women have some starting advantages. Simply by taking up arms, a female warrior will draw attention to herself, and she may find that she can build up her reputation faster than a male. Also, it is traditionally easier for a woman to marry up the social ladder than it is for a man, and a woman may find she can gain more from a strategic marital alliance than her male counterpart.^^Finally, keep in mind that the game does not place any limits on the upward mobility of characters based on their background. Noble or common, male or female, married or unmarried -- anyone can rise to become ruler of all these lands, if they are sufficiently brave, lucky, or resourceful. ip_military_campaigns|Military Campaigns ip_military_campaigns_text|When kingdoms in the Isles go to war, their armies have two basic offensive options. They can try to attack villages and lay waste to the countryside, damaging their enemy's prestige and economy. Or, they can try to seize and hold castles or towns, taking territory This second option can involve long, bloody sieges, but will yield more decisive results.^^It is important to note that the realms of these lands do not field standing armies, which remain in the field as long as the ruler desires. Rather, realms are protected by feudal levies comprised of the major nobles and their individual retinues. Sometimes, these nobles launch their own private attacks into enemy territory, but the most decisive events will usually take place when the great hosts are assembled. The kingdom's marshal, a noble appointed by the king, will summon the host before the campaign and lead them out to battle. However, he should be careful not to keep them in the field too long. Otherwise, the host will begin to disintegrate, as the vassals drift off to pursue their own business, and the army will be vulnerable to a counter-attack.^^For this reason, the rhythm of wars in these lands often resemble the rhythm of a duel between two individual combatants. One side will gather its strength and seek to land a blow against the enemy's territory. If the marshal spends too little time gathering the vassals, he may not be able to do any real damage. If he spends too much time, then the campaign may end before it has even begun. A large realm will have an advantage over a smaller one, just as a brawny combatant has an edge over a smaller foe, but a realm's political cohesion can also be a factor, just as a fighter with great stamina can outlast her opponent. Sometimes, the armies of two realms will meet head on, resulting in a major battle in which both numbers and morale will decide the outcome.^^Kingdoms will have imperfect intelligence about their enemies. Attacking lords will need to frequently scout enemy territory to determine which fortresses may be vulnerable. An army defending its homeland will benefit from the alarms raised by castles and towns, which broadcast intelligence about enemy movements in the area. Such intelligence will be imprecise, however, particularly when it comes to numbers. A defending force which sets out to raise a siege or rescue a village may be able to overwhelm an unprepared attacker -- or it may miscalculate, and find that it is the one to be overwhelmed. Attackers, in turn, must be careful how far they advance into enemy territory, with aggressive marshals venturing further than cautious ones.^^Players will be expected to join in their faction's military campaign, either by joining the host, or by scouting ahead into enemy territory. Some players may find that their realm's marshal is too cautious, or too aggressive, for their tastes. In this case, they can intrigue with other lords to try to replace the marshal, or build support to become the marshal themselves.^^Most wars are of limited duration. A king who goes to war will, for the sake of honor, feel obligated to pursue the conflict for a short while. However, unless he is soundly beating his enemy. he may soon start looking for a way out of the conflict, lest he leave himself vulnerable to an attack by a third party. These rulers are keenly aware that today's ally may be tomorrow's enemy, and vice versa. ip_siege_warfare|Siege Warfare ip_siege_warfare_text|Age of Arthur offers siege warfare accurate to the Dark Ages period. When the player besieges a settlement, two paths can be taken to conquer the place by debilitation (hunger, diseases ...) or by assault.^^In the former case, the player's goal is to blockade the settlement and prevent it from receiving supplies or reinforcements. At the same time various actions can be performed to undermine morale, spread disease or destroy the food reserves of the settlement. This type of action will take longer, but also avoid a large number of casualties.^^In the latter case, direct action is undertaken, provided assault equipment is available or preparatory actions have been taken, such as wearing down the defenders or burning their houses and walls. This option should be used when the player feels ready to launch a full-scale assault to conquer the settlement. It has the advantage of leading to success more quickly, but usually at a relatively high cost in lives.^^In addition, when the settlement has a port, the player may equip a fleet and assault the port, leading an assault from the sea.^^The complexity and characteristics of the new siege system are too numerous to describe here in detail. The best thing is to discover and develop strategies on your own. ip_sea_travel|Sea Travel ip_sea_travel_text|Ferries on the world map transport your party between two stations. While this is cheap when your party is small, it becomes more expensive with party size.^^To travel longer distances on the sea, one may travel from one port town to another. This can be initiated from the town menu or by talking to the ship captains and befriending them in the port part of the town scene. Similar to ferries, this service becomes more expensive with party size.^^Once you have your own ship, you may embark from the port it is in by clicking on 'Sail from port' in the port menu. You will return to the map, but this time at sea on your ship. Sea travel then works much like land travel.^^There are two different ways to get back on land. You can either click on a port or use a landing point. To find a landing point, travel closely along the coast or right click on your party and select 'find closest landing point.' As with ports, click on the landing point to disembark. In either case, your ships will remain at the position where you landed.^^If your party's size is greater than the capacity of your ships, you won't be able to embark. In this case, you can establish troop quarters (Camp menu) at your current position and another troop quarters at your target position, then transport your army step by step between both quarters.^^When traveling by sea on the campaign map, you can always check the current weather. After clicking on the 'Camp' button, current conditions are shown on the left side. If the weather conditions change, you will be notified by a message in the lower left corner of the screen.^^On the one hand, windy weather is good for the speed of your ships on the campaign map and in sea battles. On the other hand, the chance that it will damage your ships also increases. Damage worsens the condition of a ship, slowing it or even destroying when the condition reaches 'Dangerous.' You may check the conditions of your ships by clicking on 'Camp' and then on 'Fleet.'^^Finally, the weather also determines the behavior of ships in battle. This can always be checked beforehand by clicking 'Camp' and then on 'Check location.'^^Sea travel is dangerous and can lower the morale of your troops. When this happens, you will be notified by a message. Troops especially dislike spending the night on the water. Therefore, consider plotting your route to make landfall by night. If morale on the sea gets too low, troops may mutiny.^^Some troops like Sailors and certain Saxon troops are experienced seamen and will increase the travel speed of your ships on the campaign map. You can check the effect on the left side of the camp menu.^^If there is more than one ship in your fleet, the speed of the fleet is determined by its slowest ship. However, as soon as you have more than one ship in your fleet, you can split the fleet. To do so, travel close to a shore. Then click on 'Camp', 'Fleet' and finally on 'Leave ship at shore' to leave the slower ship(s) there. To bring ships together again, one needs to bring them all to a port. To get a overview of all your ships at their location, click on 'Character' and then on 'Ships.' ip_sea_battle|Sea Battle ip_sea_battle_text|At some point after starting to travel on the sea, you will participate in a naval battle.^^First of all, you need to know how to control your ship. You can give the command to row forward, fast forward, backwards, or stay. The up and down arrow keys switch between these commands. You can also give the command to go straight, starboard, hard starboard, port or hard port. The left and right arrow keys switch between these commands.^^Current commands are represented by arrows around the representation of your ship in the upper right corner. Press Enter to set the sail and Backspace to get a tactical view of the scene. Try these commands to get a feeling for steering a ship and the effect of the wind.^^As soon as you get close enough to an enemy ship, boarding will commence. The ships are lashed together and the fight starts.^If you are lucky, you may capture the enemy flagship after winning the fight.^^In a sea battle where you have several ships, you can give a 'stand ground' or 'charge' command to your ships, which are assigned to the ninth 'division.' The first troops in your army list will be together with you on the flagship. The other troops will be in the remaining ships. One can change one's flagship in a port or while camping on the sea.^ ip_wounds|Wounds ip_wounds_text|The player may receive specific, debilitating wounds in battle. Physicians in larger towns will treat these wounds for a price, after which they will heal within a few days. Any negative effects will then be removed. If wound is not treated after some time, it will change to a scar, and the negative effects will then be permanent. ip_recruitment|Recruitment ip_recruitment_text|Recruitment in Age of Arthur is not always automatic but depends on a number of factors.^^Firstly, in order to recruit in a town, you need to obtain the permission of its lord. To do this, you'll need to have enough renown (150+) and be on good terms with the lord and his faction.^^For villages, you dont need to obtain permission, however the troop quality is always the lowest. ^^Once permission is obtained, you are free to recruit as long as your relations with the settlement remain positive. In villages you may be able to recruit tier 1 troops, and if have high enough relations (60+), you may be able to recruit tier 2 troops. If you happen to be the village's lord, you need only 20+ relations to do this.^^In towns, you maybe able to recruit tier 2 troops, as well as specialized troops from special cities. The maximum number of troops that you may be able to recruit is determined by your relations with the settlement, your leadership, your charisma, your religion, the predominant religion of the settlement, and whether or not you are the lord of the place.^^Other options are available. If you're Christian, you may be able to find some desperate refugees in monasteries. There is always a chance to find fellows looking for work at farmsteads. ip_skills|Skills and Attributes ip_skills_text|When creating or developing a character in Age of Arthur, one has to pay attention to the many skills and attributes. Skills like persuasion and leadership are essential for trading, wages, lord and lady interaction, and forced conversion. Attributes such as intelligence and charisma are also essential in these activities, but will also affect your ability to marry or lead people.^^There are three important skills for the sea 'Sea King,' 'Navigation' and 'Looting.'^^One's Sea King level determines the amount of ships one can command. Level one allows up to two ships. Seven ships are the maximum at the Sea King level of four.^^The Navigation skill allows one to travel faster on the sea. It is the naval equivalent of the Pathfinding skill on land (which, by the way, will not help on the sea).^^A higher Looting skill results in a higher chance of capturing enemy ships.^ ip_tactical_controls|Tactical Controls ip_tactical_controls_text|Use the keyboard NUMBERS to select a division. Press 0 to select your entire force.^^Use F1-F4 to order selected divisions. Keep the F1 key down to place selected divisions. You may target an enemy division through this mechanism.^^Pressing the ENTER key often initiates an overhead Strategy Camera.^^Pressing the BACKSPACE key often initiates a Battle Command Display with 'radar.^^Pressing the H key will make your horse come to you (requires riding skill of 4 or higher).^^Pressing the Z key will enable Crouching.^^Pressing the T key will trigger your war-cry and can be used to rally your troops.^^ ip_division_placement|Division Placement ip_division_placement_text|When ONE division is selected, the center of its front rank is placed at the spot indicated.^^When MANY divisions are selected, they are separated and spread out as if the player were standing at the spot indicated.^^One may memorize the placement of selected divisions relative to the player by pressing F2, F7. Default is infantry to the left, cavalry right, and ranged forward. Placement is overridden for any division the player chooses to personally head through the Formations Options menu.^^If the camp menu game option is set, divisions will rotate to face the enemy. Otherwise, they will maintain the facing that the player had when they were placed. ip_formations|Formations ip_formations_text|The Complex Formations on the Battle Menu are ^^- RANKS with best troops up front^- SHIELD WALL, ranks with shields in front and longer weapons in back^- WEDGE with best troops up front^- SQUARE in no particular order^- NO FORMATION^^Even in the last case, the player can make formations up to four lines by ordering Stand Closer enough times. ip_children|Children ip_children_text|Children can play an important part of Age of Arthur. Both the player and NPC's can have children during the course of the game.^^ For NPC's, children give factions new lords and ladies, while also creating heirs for faction leaders.^^ For players, children grant both new companions, or lords if the player is a vessel/monarch of their own lands.^If the player is female, they must be careful when entering battle while pregnant as being wounded can cause the death of their child and bad relations with your husband.^^ Both male and female players should be married before having children or their child will be a Bastard.^ ip_quarters|Quarters ip_quarters_text|Quarters allow you to leave some of your troops at a particular location on the map. You can have up to two quarters.^^There are several scenarios which make quarters useful ^- If you need to travel on a boat, but you can't afford to pay passage for all your troops^- If the capacity of your fleet isn't big enough to transport all your troops at the same time^- If you want to sneak into a town^- If you want to travel faster over the world map ip_war_cry|War Cry ip_war_cry_text|You can use a war-cry in battle to rally your men, hit 'T' to do so. This has the best effect of the troops closest to you on the field. ip_horse_calling|Call your Horse ip_horse_calling_text|If you riding skill is higher then level 3 you can call your horse (provided you have one) during battle by hitting 'H'. ip_special_triats|Special Traits ip_special_triats_text|Once you go past level 12 special traits become possible, however you will need to meet the conditions and play style to develop one.^^ They include ^^ Words-smith A person who read books, or learns poems and has recruited companions or lovers. This trait unlocks a more powerful war-cry use it once per battle by hitting 'Y' ^^ Trickster A person who has won many battles no matter the cost and either has taken many lords prisoner, or has many enemies. This trait unlocks shield taunting in battle use it by hitting 'Y' ^^Musician A person who has leaned a number of poems and either carries a musical instrument or has developed their entertainment skills. This trait gives you a horn, use it in battle to inspire men by hitting 'Y'^^ Knowledge of the Dark arts (magic must be turned on in mod option), A person who has studied magic and knows the right companion. This trait unlocks spell casting in battle by hitting 'Y'^ ip_ambushing|Ambushing ip_ambushing_text|Ambushing was an important part of dark age battle tactics. To this end, both the player and AI can set ambushes.To set an ambush you will need to hold down the left CTRL key while hitting 'A' on the overland map. Also an ambush will only remain set while you stay resting in the same map position.^^You can increase the effectiveness of ambushes by increasing you parties tactics and spotting skills. ip_partition_laws|Partition Laws ip_partition_laws_text|Every kingdom in Age of Arthur now has their own possible succession laws which govern how heirs will inherit lands upon a rulers death. If a kingdom is big enough, and has more then one possible heir these laws come into play...^^Confederate Partition In this law all sons/daughters and eldest brother have a chance of being included in succession. Depending on how large a kingdom is it may be divided up to three times. The kingdom vessels and former monarchs wealth will be divided among them equally. Although the main title holder (the oldest heir) does maintain a slight advantage it can severly weaken their original kingdom. All kingdoms start at this level, though it can be even more devestating for Britonnic kingdoms.^^Regular Partition After game year 508 (530 for Britonnic Kingdoms) regular partitions become available. In this case, although the kingdom is still divided, the eldest brother is no longer included in succession if there are sons/daughters and the main heir does maintain a greater advantage when dividing up vessels and wealth.^^High Partition In this case a kingdom can only be divided once between the two eldest sons/daughters. The main heir maintains most of the kingdoms vessels and wealth and the second heir will be an ally/tributary of the eldest. This law is not available until the year 540 (or 560 for Britonnic Kingdoms).^^No Partition / Single heir After the year 550 the single heir law becomes available and thus returns to default play of the eldest inheriting everything.^^In order to change the laws for your kingdom you need to be the factions head of government and talk to your chancellor. They will call a vote of your vessels and you will need a majority of yes votes for the law to change.^If you are a vessel in another kingdom, your liege may call the vote to change laws from time to time, yet either way a majority of yes votes are needed. ip_stress_system|Stress System ip_stress_system_text|From now on decisions you make during your course of play, or events such as running our of food, can cause you stress.^^ If you make choices that don't align with your current honor rating, or personality you will see stress start to mount. Having high stress unlocks a number of possible negative health events and could even cause your character to loss thier mind!^^ Once stress gets too high you will suffer a mental break and will be forced to pick an activity to reduce stress, though at a cost of possible wealth, ability or even changes to your body wieght. Stress adds another element to consider when making decisions.
https://w.atwiki.jp/dragonkiller/pages/254.html
【DTM】domino 公開日:2010/10/31? 更新日:2017年11月05日 目次 【DTM】domino/目次/ページの登録タグ歴史/2000年/2010年 特徴/概要/公式サイト/日本語対応/主な機能/オーディオ機能について/応用/他のソフトとの違い/音源定義ファイル 関連項目 2ちゃんねる/本スレ 外部リンク/ニュース/耳コピー支援 検索/キーワード/動画/MOVIE/ニュース ページの登録タグ DTM GM音源 GS音源 MIDI SC-8850 domino 打ち込み 免責事項 商品の仕様・内容・デザイン・付属品・品番・価格等は予告なく変更になる場合があります。 掲載されている内容が最新とは限りません。 掲載されている内容に不備がある場合があります。 掲載されている内容を保証するものではありません。 歴史 2000年 2007年01月31日 - 「Domino1.0」公開。http //takabosoft.com/20070131215725.html 03月30日 - 「Domino1.1」公開。http //takabosoft.com/20070312213630.html 06月13日 - 「Domino1.2」公開。http //takabosoft.com/20070613210647.html 窓の杜大賞にて編集部賞を受賞。http //www.forest.impress.co.jp/prize/2007/result.html 2008年06月03日 - 「Domino1.3」公開。http //takabosoft.com/20080603133734.html 2009年 2010年 2010年10月11日 - 「Domino1.4」公開。http //takabosoft.com/20101011090442.html 11月03日 - 「Domino1.4.1」公開http //takabosoft.com/20101103010552.html 11月25日 - 「Domino1.4.1a」公開http //takabosoft.com/20101125140229.html 12月08日 - 「Domino1.4.1b」公開http //takabosoft.com/20101208133503.html 2011年 2012年02月19日 - 「Domino1.4.2」公開http //takabosoft.com/20120219063922.html 2013年11月19日 - 「Domino1.4.3」公開http //takabosoft.com/20131119121914.html 2014年 特徴 概要 DTM音源向けシーケンスソフト 公式サイト TAKABO SOFT NETWORK(2001~2009) ttp //www.tkb-soft.hmcbest.com/ TAKABO SOFT NETWORK(2009~) http //takabosoft.com/ TAKABO SOFT NETWORK domino http //takabosoft.com/category/domino TAKABO SOFT サポートセンター http //wikiwiki.jp/tkbsoft/ たかぼー@takabosoft(2009~) https //twitter.com/takabosoft 日本語対応 作者「たかぼー」氏 日本語表示 日本語サポート 日本語マニュアル 主な機能 ハードウェア用のシーケンスソフト インストーラー不要・レジストリ無し 小節表示 ピアノロール表示 リスト表示 マーカー挿入 コード挿入コード/スケールの表示 編集ストローク スライス 結合 ステップ入力PCキーボードから入力 SMF(Standard MIDI File)の読み書き対応 最大16ポート使用可能(A~P) 同期機能(MTCマスター、MMCスレーブ) 音源定義ファイルによるマクロ処理付属ファイルGM Level1 GSm(Microsoft GS Wavetable SW Synth) XG2k(MU2000EX、MU1000EX) XGb(S-YXG50、MU50) SC-8850 SC-88Pro オーディオ機能について 要望 ReWire対応についてhttp //wikiwiki.jp/tkbsoft/?domino%2F%CD%D7%CB%BE%2F47 Waveファイル貼り付けてMIDIと同時再生についてhttp //wikiwiki.jp/tkbsoft/?domino%2F%CD%D7%CB%BE001%2F8 応用 MIDI Yokeを使用VSTホストアプリケーションからVST音源の操作 他のソフトシーケンスとの同期 他のソフトとの違い トラックカラーが固定されていない。 トラックカラーが少ない。(7色) 他のパートや全パートを表示するにはオニオンスキン機能を使う。(アイコン表示ではない) 音源定義ファイル 音色の選択や操作するための設定。 ■定義無【機械】文字列の表示→【人間】解析・計算→【人間】設定を理解 【人間】設定をしたい→【人間】解析・計算→【機械】文字列を理解 ■定義有【機械】文字列の表示→【定義ファイル】置き換え→【人間】設定を理解 【人間】設定をしたい→【定義ファイル】置き換え→【機械】文字列を理解 新しい音源や古い音源などは自作しなければならない。付属の定義ファイルとマニュアルを参考にして研究してみる。 GM音源やGM2音源(SC-8850)の定義ファイルを手を加えてみる。 似た機種や同じメーカーの定義ファイルを手を加えてみる。 ■ヒント16進法 関連項目 【ROLAND】MT/CMシリーズ 【ROLAND】SCシリーズ 【ROLAND】SDシリーズ 【DTM】MIDIキーボード、コントローラー DTM音源 【Computer Music】耳コピソフト(耳コピー) 2ちゃんねる 本スレ ■2007年 【cherry】MIDIPortal(仮)愛好会【オワタ】 http //pc10.2ch.net/test/read.cgi/dtm/1167881817/ http //mimizun.com/log/2ch/dtm/1167881817/ 【MidiPortal】MidiPortal(仮)愛好会【ハジマタ】 http //pc11.2ch.net/test/read.cgi/dtm/1167975432/ http //mimizun.com/log/2ch/dtm/1167975432/ 【期待の新星】 Dominoスレッド 【MIDI専用】 http //pc11.2ch.net/test/read.cgi/dtm/1179441495/ http //mimizun.com/log/2ch/dtm/1179441495/ 【時代の寵児】 Dominoスレッド dev.2 【MIDI専用】 http //pc11.2ch.net/test/read.cgi/dtm/1190937894/ http //mimizun.com/log/2ch/dtm/1190937894/ ■2008年 【時代の寵児】 Dominoスレッド dev.3 【MIDI専用】 http //pc11.2ch.net/test/read.cgi/dtm/1204773724/ http //mimizun.com/log/2ch/dtm/1258685878/ 【時代の寵児】 Dominoスレッド dev.4 【MIDI専用】 http //pc11.2ch.net/test/read.cgi/dtm/1221988819/ http //mimizun.com/log/2ch/dtm/1221988819/ ■2009年 【時代の寵児】 Dominoスレッド dev.5 【MIDI専用】 http //pc11.2ch.net/test/read.cgi/dtm/1243642048/ http //mimizun.com/log/2ch/dtm/1243642048/ http //www.unkar.org/read/pc11.2ch.net/dtm/1243642048/ 【時代の寵児】 Dominoスレッド dev.6 【MIDI専用】 http //hibari.2ch.net/test/read.cgi/dtm/1258685878/ http //mimizun.com/log/2ch/dtm/1258685878/ http //www.unkar.org/read/pc11.2ch.net/dtm/1243642048/ ■2010年 【時代の寵児】 Dominoスレッド dev.7 【MIDI専用】 http //hibari.2ch.net/test/read.cgi/dtm/1293654283/ http //mimizun.com/log/2ch/dtm/1293654283/ http //www.unkar.org/read/pc11.2ch.net/dtm/1293654283/ ■2013年 【時代の寵児】 Dominoスレッド dev.8 【MIDI専用】 http //anago.2ch.net/test/read.cgi/dtm/1358538145/ https //egg.5ch.net/test/read.cgi/dtm/1358538145/ 外部リンク ニュース ■2007 フリーのMIDIシーケンサ、Dominoを楽しもう http //allabout.co.jp/gm/gc/204694/ 便利な機能を多数搭載したフリーのピアノロール型MIDIシーケンサー「Domino」 http //www.forest.impress.co.jp/article/2007/03/30/domino.html “演奏モニター”画面が追加されたフリーの多機能MIDIシーケンサー「Domino」 http //www.forest.impress.co.jp/article/2007/05/14/domino116.html あらかじめ登録した形の和音を入力できるようになった「Domino」v1.18 http //www.forest.impress.co.jp/article/2007/05/28/domino118.html リアルタイム入力のテンポに合わせBPMを自動変更可能になった「Domino」v1.25 http //www.forest.impress.co.jp/article/2007/10/29/domino125.html ■2009 コードのカッティングパターンを別のコードへコピー可能になった「Domino」v1.37 http //www.forest.impress.co.jp/docs/news/20090907_313565.html ■2010 スケールに従って“ハモり”のメロディーを自動作成可能になった「Domino」v1.40 http //www.forest.impress.co.jp/docs/news/20101015_400307.html 耳コピー支援 WaveIlluminator http //homepage3.nifty.com/takukei/waveilluminator/waveilluminator.html 対応ファイル:WAV,MP3 主な機能:鍵盤表示、タイムストレッチ、ピッチシフト、イコライザー 採譜支援ソフト WaveTone http //ackiesound.ifdef.jp/index.html 対応ファイル:WAV,MP3 主な機能:ピアノロール表示、タイムストレッチ、ピッチシフト、 検索 キーワード ■Google domino+DTM domino+DAW domino+VST domino+Reaper domino+MIDI Yoke domino+loopMIDI domino+同期 domino+連携 domino+定義ファイル 動画/MOVIE ■ニコニコ動画 domino http //www.nicovideo.jp/tag/domino http //www.nicovideo.jp/search/domino ■YOU TUBE domino http //jp.youtube.com/results?search_query=domino domino+dtm http //jp.youtube.com/results?search_query=domino+dtm SC-8850 http //jp.youtube.com/results?search_query=SC-8850 SC-88Pro http //jp.youtube.com/results?search_query=SC-88Pro MU2000 http //jp.youtube.com/results?search_query=MU2000 XV-5080 http //jp.youtube.com/results?search_query=XV-5080 ニュース ■ニュース1「DTM」 ヒャダイン&岡崎体育、伝えたいのは「DTMの多様性」(MusicVoice) - Yahoo!ニュース - Yahoo!ニュース “ボカロっぽさ”とはなんなのか? DTMロックが作り出すアイドルの可能性|「偶像音楽 斯斯然然」第71回 - Pop n Roll DISH//、北村匠海が語った有観客ライブへの感慨「同じ空間で、同じ気持ちを共有できる奇跡を噛み締めてる」<紅白初出場記念>(QJWeb クイック・ジャパン ウェブ) - Yahoo!ニュース DTM始めるならまずはこれ。初心者に送る5種の定番機材たち!【Amazonブラックフライデー】 - GIZMODO JAPAN 14シーズンを戦ったニッサンGT-R、GT500ラストレース。空力面の厳しさのなか「次のクルマに活きていく」【第8戦富士決勝】(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース イギリスの新チームがWECへ。ベクター・スポーツ、ニコ・ミューラーを擁しLMP2で初参戦(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース 映画やドラマのレコーディング場面によく登場 「ミキシング・コンソール」の役割と歴史 ビートルズの名盤制作の時は?(ラジトピ ラジオ関西トピックス) - Yahoo!ニュース - Yahoo!ニュース 2022年の富士や鈴鹿は長距離レースが復活し、フィニッシュ時刻を決めた時間制になると坂東代表 「花火に合わせた時間設定をしていきたい」(Impress Watch) - Yahoo!ニュース - Yahoo!ニュース ENEOS山下健太がレコード更新の今季初ポール。チャンピオン狙うSTANLEYが1点逃す【第8戦GT500予選レポート】(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース 【ブラックフライデー】「楽器・音響機器」目玉商品6選! オーテクのAT2020USB+やBeats Studio Budsがセール初参戦!(ねとらぼ) - Yahoo!ニュース - Yahoo!ニュース 公私混在化したデスク環境をシームレスに切り替え(Impress Watch) - Yahoo!ニュース - Yahoo!ニュース オーストリアのグラッサー・レーシングチームがランボルギーニの4台体制で2022年DTM参戦を発表 - オートスポーツweb 2021年DTMチャンピオン輩出チームのメルセデスAMG・チームHRTが2022年参戦を表明 - オートスポーツweb 新世代のDTMミュージシャン“AI SHIRASAGI”、1stアルバムをリリース リード曲のMV公開(CDジャーナル) - Yahoo!ニュース - Yahoo!ニュース 2021年のDTMクラシックの様子 | DTM、2022年から『DTMクラシック』を拡大。1972年からのDRM車両の『DRMカップ』も開催の画像・写真(1) - オートスポーツweb DTM、2022年から『DTMクラシック』を拡大。1972年からのDRM車両の『DRMカップ』も開催 - オートスポーツweb 2021年DTMに参戦したリアム・ローソン(レッドブル・AFコルセ) | アルファタウリがF1若手テストにリアム・ローソンを起用へ。シート合わせを実施の画像・写真(2) - オートスポーツweb 新章の幕開けに相応しいDTMは軽量化を追求した機能性も満足な1本! 上質カラーの21インチを設定 - MotorFan[モーターファン] BMWのLMDhプログラムは、元フォーミュラEとDTMのスタッフで構成。80~100人が“失業”を免れる(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース DTM、イモラで初開催へ。2022年カレンダーは依然1イベントの開催地が未定(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース DTM最終戦の“タイトルを奪った”接触について、ケルビン・ファン・デル・リンデがリアム・ローソンに謝罪 - オートスポーツweb 【速報】ランキング首位2台が接触! マキシミリアン・ゲーツが大逆転で新生DTM初代王者に輝く - オートスポーツweb DTMドイツ・ツーリングカー選手権、2023年導入を目指す電動レーシングカー『DTMエレクトリック』の新たなデザインモデルを公開(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース DTMドイツ・ツーリングカー選手権、『DTMエレクトリック』の新たなデザインモデルを公開 - オートスポーツweb キャシディ、F1帯同のアルボンの代役としてDTM最終戦に参戦。”アルファタウリ”AFコルセのフェラーリを駆る(motorsport.com 日本版) - Yahoo!ニュース - Yahoo!ニュース ニック・キャシディ、アレクサンダー・アルボンに代わってDTM最終戦ノリスリンクに参戦へ - オートスポーツweb 元ル・マンウイナー&DTM王者、マイク・ロッケンフェラーが今季限りでアウディを離脱「新たなチャレンジの時が来た」 - オートスポーツweb 元ル・マンウイナー&DTM王者、マイク・ロッケンフェラーが今季限りでアウディを離脱「新たなチャレンジの時が来た」(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース ペナルティ2回で“天国から地獄”のK.ファン・デル・リンデ。ローソンがリードを拡大し最終戦へ/DTMホッケンハイム - オートスポーツweb GTレース界のトップドライバー、ボルトロッティが初体験したDTM。「興味深い体験だった」 - オートスポーツweb ドワンゴとMTV、DTMとボカロ文化を称える新賞「Daisy Bell Award」創設 コラボ特別番組の放送も決定 - PANORA ダニエル・ティクトゥム、2022年はインディカー・DTM・フォーミュラEへの転向を検討? - Motorsport.com 日本 「クレイジーなアイデア」でディ・グラッシがDTMにゲスト参戦。フォーミュラE戴冠時のリバイバルカラーで - オートスポーツweb レッドブルのリアム・ローソン、連続表彰台でランク首位に。優勝はウィットマンとアウアー/DTMアッセン - オートスポーツweb DTMベルガー代表がメディアの質問に回答「新DTMは非常に高い評価をもらっている」 - オートスポーツweb パソコンやスマホ直結で手軽に宅録やDTMを楽しめる!オーディオインターフェースいらずでボーカルやギターの録音ができるUSBケーブル、マイクとシールドの2タイプを新発売 - PR TIMES ランボルギーニ・ワークスのミルコ・ボルトロッティがDTMデビューへ。第6戦アッセンに出場 - オートスポーツweb 「副反応で熱出たから作曲」って!?音源はまさかの体温計 「しんどさ伝わる」「お大事に」(まいどなニュース) - Yahoo!ニュース - Yahoo!ニュース リアム・ローソンがレッドブルリンクで「夢のような」連勝。3勝目を挙げランクトップに迫る/DTM - オートスポーツweb DTM、レッドブルリンクで『DTMエレクトリック』を自動運転でリモートデモランへ - オートスポーツweb DTMドイツ・ツーリングカー選手権が2022年カレンダーを発表。1戦増の全9戦18レースを予定 - オートスポーツweb レッドブルF1首脳 「フェラーリとのDTMでのコラボは理にかなっている」 - F1-Gate.com DTMドイツ・ツーリングカー選手権、第5戦レッドブルリンクからファンにパドック入場を許可(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース ここは遊園地じゃない! 接触が多すぎるDTMに、ドライバーら苦言(motorsport.com 日本版) - Yahoo!ニュース - Yahoo!ニュース シェフラー、アウディとともにフォーミュラE撤退。電動マシン導入を目指すDTMに参入へ(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース DTMドイツ・ツーリングカー選手権にポルシェが登場。SSRパフォーマンスがゲスト参戦を表明 - オートスポーツweb DTM第4戦ニュルブルクリンクにトクスポーツWRTが参戦表明。グリッドは23台に - オートスポーツweb 米津玄師やYOASOBI・ayaseもボカロP出身! 楽器が読めなくても曲が作れるDTMとVOCALOIDって何?(FASHION BOX) - Yahoo!ニュース - Yahoo!ニュース 存在したアストンマーティンを使ったGT500参戦の可能性。藤井誠暢が自らのコラム内で明かす(オートスポーツweb) - Yahoo!ニュース - Yahoo!ニュース 元F1ドライバーのベルガーがロッシに熱烈オファー!? 2022年はDTM(ドイツツーリングカー選手権)を走る可能性も(バイクのニュース) - Yahoo!ニュース - Yahoo!ニュース 今季5人目のウイナーはBMWのウィットマン。アルボンは痛恨のストールも初表彰台を獲得/DTM第3戦ゾルダー - オートスポーツweb DTM参戦のアプト・スポーツラインがドイツの水害支援へユニークなオークション実施へ - オートスポーツweb DTM、延期のノリスリンク戦を最終戦として開催へ。電動レーシングカーの『次なるステップ』も発表予定 - オートスポーツweb 【動画】DTMやフォーミュラEの技術が活用されたアウディの新型プロト『RS Q e-tron』 - オートスポーツweb オーバルのターン1を使用した新レイアウトのラウジッツリンクで、メルセデス勢ふたりが初優勝を飾る/DTM第2戦 - オートスポーツweb 52歳のHRT代表フバート・ハウプトがDTM第4戦ニュルブルクリンクに自ら参戦へ - オートスポーツweb シェフラー、DTMにステアバイワイヤ技術を提供 アウディ・メルセデスAMG・BMWに搭載(日刊自動車新聞) - Yahoo!ニュース - Yahoo!ニュース DTMドイツ・ツーリングカー選手権、7月の第2戦ラウジッツリンクから観客の入場を再開 - オートスポーツweb シェフラー、DTM第1戦モンツァで3台にステア・バイ・ワイヤ技術の『スペースドライブ』を搭載 - オートスポーツweb DTM参戦のヴァン・デル・リンデに代わり、ウィンケルホックがGTWC第4戦に出場へ - オートスポーツweb 新生DTMドイツ・ツーリングカー選手権、開幕戦モンツァに5メーカー19台が参戦へ【エントリーリスト】 - オートスポーツweb M1チップ搭載の最新「iPad Pro」で音楽制作、必要な機材や編集ソフトは? - GIZMODO JAPAN 習い事はパソコン作曲 若者にDTM人気 - 日本経済新聞 新iPad Proは超強力DAW環境!? DTM対応と音質を検証 - AV Watch パソコン一台で作曲、配信 DTM機材 売り上げ好調 コロナ禍影響 「YOASOBI」活躍で注目|熊本日日新聞社 - 熊本日日新聞 DTM合同テスト:3日間6セッションのテストに17名のドライバーが参加。ゲーツがトップタイム - オートスポーツweb DTM、伝統のノリスリンク戦の7月開催を断念。秋への延期を模索 - オートスポーツweb ドイツのT3モータースポーツがランボルギーニ・ウラカンGT3でのDTM参戦を発表 - オートスポーツweb “最速のGT3”目指す新生DTM「クラス1規則のファン」であるベルガーが語る変革の現在地 - オートスポーツweb DTMドイツ・ツーリングカー選手権、新生GT3規定での暫定エントリーリストを発表。19名が参戦へ - オートスポーツweb GT3時代到来のDTM初テストはメルセデスが席巻。2日間でゴッツ、アウアーらが最速 - オートスポーツweb DTM挑戦のアルボン、あくまで狙うはF1復帰「DTMでの活躍よりも、自分の役割をしっかり果たすことが大事」 - Motorsport.com 日本 バゲット、スーパーGTへのインディ式スタート導入には否定的「DTMとは違い、スタートでリスクは冒せない」 - Motorsport.com 日本 ゲルハルト・ベルガー、参戦チーム増加傾向のDTMに「GT3化の判断は正しかった」 - Motorsport.com 日本版 F1王者バトンのGTチーム、DTMへのエントリーを取り下げ。コロナ禍と参戦コストが影響 - Motorsport.com 日本版 DTMのドイツ勢に挑んだ孤高のイタ車! アルファロメオ155というドラマチックな名車とは - Automesse Web 元F1ドライバー、クリスチャン・クリエンがDTM今季3戦に出場。2022年はフル参戦へ - オートスポーツweb 若手女性ドライバーのソフィア・フローシュ、アプトから新生DTMに参戦へ - オートスポーツweb エクストリームEの公式リザーブ兼コースアドバイザーに、元DTM王者シャイダーが就任 - オートスポーツweb ドスパラ、DTMスクール監修の制作向けPC - PC Watch ミシュランがハンコックに代わるDTMドイツ・ツーリングカー選手権のタイヤサプライヤーに決定 - オートスポーツweb DTM参戦のキャシディ、レッドブルとの強力コラボに興奮も「まずはフォーミュラEに集中」 - Motorsport.com 日本版 【DTM初心者向け】DTMの始め方無料オンラインレッスンを開催 - PR TIMES ワーケンホルスト・モータースポーツが2021年のDTMドイツ・ツーリングカー選手権にBMWで参戦 - オートスポーツweb レッドブル、AFコルセと組みDTM参戦を正式発表。ローソン、アルボン、キャシディがドライブへ - オートスポーツweb アウアー、BMWとの契約を1年で解消。2021年のレースプログラムはどうなる? - Motorsport.com 日本版 BiSHのメイン・ソングライター松隈ケンタのDTM入門書が発売 Amazon数量限定版は松隈&アユニ・D(BiSH)の直筆サイン入りポストカード付き! - PR TIMES DTM、6月開幕/10月最終戦のコンパクトな2021年スケジュールを発表。ドイツ国外が半数 - オートスポーツweb アルボン、DTMではフェラーリ488 GT3をドライブへ。キャシディと交代で参戦? - Motorsport.com 日本版 レッドブルF1リザーブドライバーのアルボン、2021年にはDTMに参戦 - オートスポーツweb F1シート失ったアルボン、2021年はリザーブの傍らで新生DTM参戦へ - Motorsport.com 日本 DTM:2021年に向けアプト・スポーツラインがアウディR8 LMSでの参戦を表明 - オートスポーツweb DTMのサポートとして『BMW M2カップ』が2021年からスタート。若手育成を目指す - オートスポーツweb DTM:バトン率いるジェンソン・チーム・ロケットRJNが2021年にマクラーレンで参戦 - オートスポーツweb チーム・ロズベルグがDTM活動終了にともない従業員に解雇通知。活動変更で人員削減 - オートスポーツweb 新技術満載の次期DTMレーシングマシン「E-car」を、あの女性ドライバーがドライブ - clicccar.com(クリッカー) 【DTM】アウディのレネ・ラストが近4年で3度目の王座獲得…シリーズは来季2021年、新たな局面へ - レスポンス DTM、2021年からFIA GT3規定を採用。23年から電動車導入も目指す - オートスポーツweb DTM、2021年に向けアウディとBMWがサポートする“GTカーをベース”としたシリーズへ - オートスポーツweb 【iOS・Android】デモ制作にオススメの無料DTMアプリ4選 - リアルサウンド ■ニュース2「MIDI」 TASCAMの12trレコーディングミキサー「Model 12」に新機能、DAWコントロール対応ソフト追加&モニター位置切り替え可能なファームウェア無償公開(BARKS) - Yahoo!ニュース - Yahoo!ニュース 連帯から生まれる新たなロックバンドのムーブメント black midi、BCNR……拡大続けるサウスロンドン・シーン中心に考察 - リアルサウンド MIDIキーボードを置いてるだけで、音楽作るモチベーションが高まるよね【Amazonブラックフライデー】 - GIZMODO JAPAN Studiologic、17鍵MIDI足鍵盤「MP-117」発売(BARKS) - Yahoo!ニュース - Yahoo!ニュース Raspberry Pi Picoを使ったMIDIキーボード自作キット「chromatoneminipico」、複雑なLED制御も可能 - AKIBA PC Hotline! フックアップ、星CMEのワイヤレスMIDIアダプターの複数セットを発売 - マイナビニュース Musicom LAB、プロ仕様をさらに極めたループ・スイッチャー&MIDIコントローラー「EFX MK-VI」(BARKS) - Yahoo!ニュース - Yahoo!ニュース 5000円のMIDIキーボードが楽しい!どこでも気軽に演奏できる(女子SPA!) - Yahoo!ニュース - Yahoo!ニュース MSX向けのMIDIインターフェイスカード自作キット「SCSG-MIF2」、カートリッジスロットに装着 - AKIBA PC Hotline! HOTONE、BluetoothとUSB接続に対応したコンパクトで堅牢なMIDIコントローラー「AMPERO CONTROL」(BARKS) - Yahoo!ニュース - Yahoo!ニュース MIDIケーブル ローランドが発売 エフェクター接続|あなたの静岡新聞 - @S[アットエス] by 静岡新聞 「iPhone 13 Pro」のオーディオ性能やMIDI互換性を検証する - AV Watch Akai Professional、MPC2ソフトウェアとの組み合わせでMPCワークフローを実現する第二世代モデル「MPC Studio」(BARKS) - Yahoo!ニュース - Yahoo!ニュース BOSSブランドより、3.5mmステレオミニプラグを採用したMIDIケーブル - マイナビニュース 70年代の記憶が蘇る Strymonから多彩なサウンドメイクが楽しめるマルチディメンショナル・フェイザー「Zelzah」(BARKS) - Yahoo!ニュース - Yahoo!ニュース ソニーCSL、“自分っぽいメロディー”を生成できる無料のAI作曲支援アプリ「Flow Machines Mobile」(PHILE WEB) - Yahoo!ニュース - Yahoo!ニュース BLACK MIDI、ジャパン・ツアーが延期に - Skream! Dos Monosが2ndアルバムをblack midi、崎山蒼志、Qiezi Maboらとリメイク - ナタリー シンセサウンドを演奏できるエレキギターとワイヤレスMIDIペダル - AV Watch 脳のニューロンが音楽を作る? 神経の信号をMIDIに変換すると心地よいメロディーに - リアルサウンド 【Amazonプライムデー】いいとこ取りのMIDIキーボード「KeyStep Pro」が、僕の知る限り最安値だ! - GIZMODO JAPAN 【Amazonプライムデー最終日!】25鍵MIDIキーボードが3,000円台、骨伝導ワイヤレスヘッドホンが30%オフとお買い得 - GIZMODO JAPAN 【江戸川区】居心地の良いカフェ『CAFE&BAR MiDI』(カフェ&バー ミディ)のコレが美味しい! - 号外NET 江戸川区 ブラック・ミディ(black midi)を聴くと〈もっとやっていい〉と思える。Dos Monos荘子it × 崎山蒼志 対談 - Mikiki black midi ──ブラック・ミディ続報です - ele-king.net interview with Black Midi ロンドンの新世代ロック・バンド、クラシックについて語る | ブラック・ミディ、インタヴュー - ele-king.net BLACK MIDI、2ndアルバム『Cavalcade』携え9月にジャパン・ツアー決定 - Skream! Black Midi - Cavalcade | ブラック・ミディ - ele-king.net いま話題のMIDIオルゴール「CANADEON PW40」。 シンセサイザー・プログラマーの第一人者・松武秀樹氏が提案する 新世代楽器の計り知れない可能性。専用アプリで演奏も - Stereo Sound ONLINE 【今週のマストチューン】black midi、Mustafa、NEHANN〜5月第5週〜 - Fashionsnap.com ブラック・ミディ(black midi)の新作を機に改めて考える新世代UKロックの熱い流れ - Mikiki 【Amazonタイムセール祭り】始めるなら今!USB MIDIキーボードが4,189円、ウクレレが2,439円とお買い得 - Lifehacker JAPAN black midiのニューアルバム『Cavalcade』より最新シングル“Chondromalacia Patella”が本日公開! - Qetic テキストに書いたコード進行を演奏・MIDIファイルとして出力できる「TexChord 2」 - 窓の杜 black midi ──UKロック最前線、ブラック・ミディ入魂のセカンドが登場 - ele-king.net black midi(ブラック・ミディ)|無尽蔵の音楽隊列が戦慄の速度で駆け抜ける!次世代のカリスマ衝撃のセカンド・アルバム - TOWER RECORDS ONLINE - TOWER RECORDS ONLINE ピアノの演奏動画から楽譜を自動作成 ディープラーニングで 京大が技術開発 - ITmedia XSONIC、MIDI/USB/リレー/Bluetoothでデバイスを自在にコントロールできるフットコントローラー「AIRSTEP」&「AIRSTEP Lite」 - BARKS CME、手軽にワイヤレスMIDI環境を構築できるアダプター第2弾「WIDI Jack」、外部電源供給でより多くの機器に対応 - BARKS ★2月限定バレンタイン セール★「Jammy G」ギターの演奏技術だけであらゆる楽器の音を奏でられるMIDIギターが今だけ特別価格に! - PR TIMES 音を操る指輪だと…? 手の動きで音を変化させる指輪型Midiコントローラー「Neova」 - GIZMODO JAPAN 空中で手を動かし音を変化させる 指輪型MIDIコントローラ - AV Watch 引出構造を採用したHTPCケース「MIDI Project S」がオリオスペックでセール - AKIBA PC Hotline! ボタンを押すだけでコードを演奏——MIDIコードコントローラー「Chordmonger」 - fabcross ボタン式クロマティックアコーディオンを模擬したMIDIキーボード自作キットが入荷 - AKIBA PC Hotline! ★新商品★「Jammy G」ギターの演奏技術だけであらゆる楽器の音を奏でられるMIDIギター【様々な音色に対応/サイレント/折り畳み/ポータブル/高感度センサー】 - PR TIMES 「TR-808」や「MIDI」の開発秘話を描いた書籍の発売が決定 | クラベリア - clubberia PC版『ノスタルジア Op.3』プレイレポ─MIDIキーボードで誰でもピアニスト気分! 『BEMANI』のダークホースはトップに躍り出るか - インサイド 2台のMIDI機器間のワイヤレス接続やiOS/Mac、BLE機器との接続をサポート、CMEからワイヤレスMIDIアダプター「WIDI Master」登場 - BARKS ジョイスティックを39本利用したMIDIコントローラ - PC Watch ローランド、MIDIを無線化。電子楽器とiPadをBluetooth接続 - AV Watch ローランド、PCやiOS機器と無線接続して音楽制作が行えるMIDIツール - マイナビニュース 電子楽器とパソコンやiPadを無線接続して音楽制作/演奏できるワイヤレスMIDIツールを発売 ~独自技術で音の遅れを感じない、安定した動作のワイヤレス接続。より快適で自由な音楽制作や演奏を実現~ - アットプレス(プレスリリース) Blackstar、コンパクトで柔軟な設定ができる6ボタンMIDIフットコントローラー「Live Logic USB MIDI Controller」 - BARKS MIDI 1.0 規格書(日本語翻訳版)が国立科学博物館の「重要科学技術史資料(愛称:未来技術遺産)」に登録 - PR TIMES テクノロジーと音楽の発展史:ハモンド・オルガンからモーグ、MIDIや808まで - https //www.udiscovermusic.com/ 夏休みの自由研究 - MIDI 楽器を作ろう (プログラミングと音楽と) - 後編 - builders.flash - 変化を求めるデベロッパーを応援するウェブマガジン | AWS - amazon.com IK Multimedia、オーディオアウトを備えたコンパクトな25鍵MIDIキーボード「iRig Keys 2 Mini」 - BARKS 次世代型モバイルMIDIキーボード「iRig Keys 2 Mini」、IK Multimedia国内代理店フォーカルポイントから! - PR TIMES 電子楽器同士をワイヤレスMIDI接続する「mi.1 Cable」の先行販売開始 - Dream News 夏休みの自由研究 - MIDI 楽器を作ろう (プログラミングと音楽と) - 前編 - builders.flash - 変化を求めるデベロッパーを応援するウェブマガジン | AWS - amazon.com black midi(ブラック・ミディ)|新曲「Sweater」と隠しトラック「7-eleven」を収録した限定盤12”を発売 - TOWER RECORDS ONLINE - TOWER RECORDS ONLINE フランスJoueのクラウドファンディングMIDI電子楽器に廉価版が登場 - TechCrunch Japan X68000向けの新作MIDIボード「midiori v2.2」が入荷、税込10,780円 - AKIBA PC Hotline! 1台で12トラックMTR、USBオーディオ/MIDIインターフェース、DAWコントロールに対応したサウンドクリエイターのためのデスクトップツール『Model 12』を3月27日より新発売 - PR TIMES Bluetooth MIDIは本当に遅延が大きい? 測定して比べてみた - AV Watch MIDI 1.0がMIDI 2.0へ待望のアップデート。規格書が完成、公開へ - PR TIMES MIDI規格が「MIDI 2.0」に進化。双方向通信や繊細な表現が可能に - AV Watch 38年ぶりにバージョンアップした「MIDI 2.0」によって音楽制作はどう変わるのか? - GIGAZINE IK Multimediaの次世代型MIDIキーボード「iRig Keys 2 Pro」、「iRig Keys 2」を国内代理店フォーカルポイントが発売! - 日刊工業新聞 black midi(ブラック・ミディ)数量限定ロゴTシャツ&激レアのライブ盤CDセットがタワーレコード限定で12月13日に発売 - TOWER RECORDS ONLINE - TOWER RECORDS ONLINE 電子ドラムが熱い中国、斬新なMIDIキーボードも。巨大展示会Music Chinaを見た - AV Watch 初心者からプロまでDIYで簡単に音楽が楽しめる MIDIコントローラーキット「BeatBox」が登場 - AXIS black midi初来日インタビュー|彼らが世界に衝撃を与えたその理由を紐解く - Qetic 本格&おもしろシンセ集結! 空き缶のMIDI楽器、クマ型リズムマシンがMaker Faireに - AV Watch WaveBlaster互換のMIDIドーターカードをUSB音源化するキットが入荷 - AKIBA PC Hotline! ブラック・ミディ(black midi)『Schlagenheim』に聴く、恐れ知らずのロック・サウンド - Mikiki ブラック・ミディ(black midi)『Schlagenheim』と日本文化の奇妙でイビツな親和性 - Mikiki interview with Black Midi 自分自身を解体するアート | ブラック・ミディ、インタヴュー - ele-king.net iPad/iPhoneがオシロスコープやMIDIモニターに! 2つのアプリで音を簡単測定 - AV Watch 歌声が楽器になるMIDIコントローラー「Dubler Studio Kit」--声でリアルタイム制御 - CNET Japan MIDI、38年後バージョンアップの「なぜ」?:NAMM 2019 - ITmedia 次世代MIDI「MIDI 2.0」発表、互換性維持しながら演奏の表現力向上 - AV Watch MIDI 2.0、始動 今も使われる電子楽器規格が38年後のバージョンアップ - ITmedia 一般社団法人音楽電子事業協会(AMEI)とThe MIDI Manufacturers Association (MMA)が「MIDI 2.0」の開発・規格化および実装作業を進めていくことを発表。 - PR TIMES 【懐パーツ】DTMを築き上げたMIDI音源の銘機「ローランド SC-88VL」 - PC Watch 段ボールMIDIキーボード「KAMI-OTO」、クラウドファンディング開始 - ITmedia Windows 8以降で完全に失われたMIDIマッパーを代替する「CoolSoft MIDIMapper」 - 窓の杜 「MIDIのゴッドファーザー」と呼ばれた男と、彼が遺した「TR-808」というレガシー - WIRED.jp TR-808、JUPITER-8、DTM、MIDIを生んだ梯郁太郎氏が死去 - ITmedia 【プレイバック2016】Bluetoothで“ワイヤレス演奏”できる「BLE-MIDI」への期待と課題 by 藤本健 - AV Watch ステージ映えする不思議な形のMIDIコントローラ「Mune」 - CNET Japan 音楽電子事業協会、MIDI 1.0規格書を無償ダウンロード提供 - PC Watch 柔らかいパッドで音楽を作る新型MIDIコントローラ「CMG」--日本企業が開発 - CNET Japan 【藤本健のDigital Audio Laboratory】 第669回 Bluetooth MIDI伝送で何ができる? 対応5製品とiPad連携などを試す - AV Watch ヴィンテージ楽器から最新技術まで、MIDIの歴史と未来に触れるイベント「Think MIDI ~MIDIがつなぐ時代と音楽~」レポート - BARKS 【藤本健のDigital Audio Laboratory】 第660回 Bluetoothやボカロと連携する“未来のMIDI”。「Think MIDI」で見た最新動向 - AV Watch 【藤本健のDigital Audio Laboratory】 第653回 Android 6.0でオーディオ/DTM機能はどう変わった? ハイレゾやMIDI対応をチェック - AV Watch 「ようこそヴェルディくんの部屋へ 」 MIDI音が流れる“ホームページ”にファン驚き - ITmedia MIDIシーケンサーと仮想音源を接続できるようにする仮想MIDIポート「loopMIDI」NOT SUPPORTED - 窓の杜
https://w.atwiki.jp/touhoukashi/pages/674.html
【登録タグ Demystify Feast U めらみぽっぷ 二色蓮花蝶 ~ Red and White 凋叶棕 曲 謡】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*